Thursday 20 May 2021

One Hundred Lockdown Sonnets and The Oscillations

Jacqueline Saphra decided to chart her responses to the pandemic and lockdown in sonnet form. These responses are now published as One Hundred Lockdown Sonnets. She used a form she knew would give her structure and focus. It succeeds in giving a structure to the portrayal of a time where structures were collapsing and where we were all trying to find our way (and still are).

The sonnets look inwards and out, and, for me, express brilliantly the whole range of emotions and responses I have experienced. Some examples:

Sonnet XIX - the day to day - 'We do our best.'

Sonnet XXVII - all the things we thought we might do (were told that we could) - that didn't happen (like learning Cantonese and reading Plato!)

Sonnet XLVIII - the things we did/do and the veering between positive and negative - 'as we fall apart, reload, re-love, rewind.'

Sonnet LXIV - hope and despair, anger and fear - what can you do? 'get up, get clean, get dressed, get on with it.' 

Sonnet LXVIII - compassion and disconnection - 'you in your ocean, me in mine'.

Sonnet XCVII - how 'a tiny thing'  (a broken tooth and not being able to find a dentist) can shut out all thoughts but for yourself - and 'empathy, the world and all its suffering recede' - anger, loss of control. 'Who will fix my life?'

Sonnet C - 'we are not done'. 

There is humanity and humour throughout (and some very sharp anger). As someone still working out how to deal with it all, this has helped me to understand and accept my own experiences and feelings.

 

Kate Fox in The Oscillations also looks at the effects of the pandemic and the before/after worlds we are still trying to make sense of - the swings between despair and hope, sadness and anger and the attempts to bridge distances, to communicate, to feel less isolated.

In all the poems there is a real force to the emotions because they are not shouting - there is grief and anger and pain, but so subtly written. When they directly address the pandemic they confront the horror of it and then look for direction, for hope. For example, in Stump :

'So tell us again

about what always grows back

 

about slender shoots growing

from blasted stumps

green fishing rods into the future 

tender rebuttals to the torn out page

that used to be tomorrow.'


Many of the poems touch on neurodiversity and the different way the world is experienced by people with, for example, autism, which the poet has. There is a real thrill to poetry where we see the world differently through someone else's eyes, and through that, understand it better for ourselves. Now, more than ever, it helps us to connect with a world which is fragmented and, at times, very hard to navigate.

 

Both of these collections are from Nine Arches Press.




Monday 10 May 2021

Fighting

Over the last two weeks, blackbirds have been sky-scrapping over my garden throughout each day. One declares this is his territory, another enters, a chase ensues, then the fighting begins. It's spectacular to watch, but it has a relentlessness to it I've not seen before. I'm sure in the past one has given up, but not this time. Of course it may not be the same ones every time. I get the joy of having the winner singing from dawn to dusk anyway. 

It's things like this that keep me going at the moment. It may not have been obvious from my off-beat humour and joyful tweets, though possibly more so from my more negative poetry, that I've been suffering from anxiety and depression for some time now. And it too seems relentless. It's got worse in the last few months and I have sought help - which will kick in any month now, such is the demand for help at the moment. In the meantime, I veer from real lows to somewhat forced and very temporary highs.

Strangely, in the last few weeks, I have taken some of the incredibly negative writing I've been churning out for months and months, and am turning it into something more positive. There is still an underlying sadness and fear but it also has hope. I had previously tried to find, in my vast pile of writing, some poems that were positive. I didn't find many. I submitted those to a competition and was shortlisted. That was a positive in itself. And it is clear that people want hope right now - well, always, obviously. So I thought I'd try it on myself. If I can write it, maybe I can believe it. Some days it works. I'll keep fighting.

Other moments that work : a robin or a dunnock drinking or splashing in the bird bowl, house sparrows trying to decide whether to keep the feather they've collected or eat from the feeders (feeder always wins), blue tits and great tits in food relays across the garden, a magpie on daily patrol for insects, or bringing in bread from somewhere else and dunking it in the bowl before eating, a kestrel hovering over the distant fields, or a rare low fly-over by a heron. And, of course:

blackbird's song at dawn,

nature's continuity,

blackbird's song at dusk